Emil Vidor: The Villa Egger--Inside and Out

On our very last walk in Budapest, we saw the interiors of two iconic Art Nouveau buildings--each a BIG get.  Entering either would have been a triumph; both seemed like a miracle.  The posts that follow will showcase the interiors of these two buildings

The first is the  Egger Villa, at Varosligeti fasor 24, was built by Emil Vidor (1867-1952) in 1902.  It has been described as "among the purest--and most extravagant--examples of Art Nouveau architecture in the city."  It was the first building Vidor designed and executed on his own.

The exterior of the Egger Villa reflects Belgian and French Art Nouveau, particularly that of Victor Horty.  It's notable for its asymmetry, its subdued yet evocative floral imagery, and its spectacular use of the Art Nouveau curvilinear and organic line.  You have to look carefully to catch its details.

Some are obvious on the street-facing façade.

Others can be seen only by walking around the sides of the house.

 I was able to see the sides and back of the exterior because someone had left the usually locked gate open.  But as I walked around the side, I noticed someone walking in a door, and she kindly let me come in with her.  So I saw something I never expected to see:  the interior of this famous and beautiful building.  

Its beauty was totally unexpected.  Particularly the use of wood as ornament, probably reflecting Vidor's interest also in Finnish architecture.  Here are the fruits of my getting inside:

#EmilVidor
#EggerVidor
#ArtNouveauInteriors

Bathory utca, Budapest: The Variety of Turn of the Century Architecture.

On Bathory utca, one finds a block that includes series of houses built in the turn of the century: a remarkable collection of architecture, ranging from historicist to eclectic historicist to early modern. These buildings were all designed and constructed within 10 years, making the whole issue of periodization in Hungarian architecture questionable or at least problematic.

Starting at the end of the block, at Bathory utca 20 is this eclectic historicist--and flamboyant--house designed by Gyla Illes in 1891.

 The theme is musical in part.

The frieze is by Karolyi Lotz (1833-1904), a famous Hungarian painter and muralist.

The interior has an ornate wrought iron staircase and the typical courtyard of large Budapest apartment--or tenement--buildings as they were known.

A few houses down is No. 7, the Dawidson House, built by Emil Vidor in 1903.

Although built only a few years later, it shows Vidor's more simplified and early modern style.

Next door at no. 7 is a more typically eclectic building, this one by Samuel Revesz and Jozsef Kollar in 1905.

Across the street from No. 7 is No 5, the main reason we came here. It was built in 1905 by the great electic historicist architect Ignac Alpar for the Neuschlosz family, for whom he also built the house on Apostol ut in Buda in 1898,  (The Bathory utca building is much more typically historicist than the more imaginative villa in Buda, probably because the Buda house is a single family home rather than a "tenemant" house.)

(Note the peacocks above the door.)

No. 5 Bathory utca, which also faces Honved utca, like many great houses, "turns the corner."

Some details.

And the interior!

Across the street at Bathory ut 4-6 is the more purely historicist building by Artur Meinig, built in 1896.

And finally at No. 3 is the 1902 house by Geza Aladar Karman and Gyula Ullmann.

For those of you who have gotten this far with me, you may be asking "what does all this mean?"  Pretty much damned if  I know myself.

For some as-yet unfathomed reason, I find this all endlessly fascinating.  Some possible reasons?

• I find the aesthetic of these buildings pleasing.  (Explaining why something is or isn't aesthetically pleasing to any particular person is too complicated or mysterious for me to attempt.)
• I find it pleasing to discover how to "read" these buildings:  what elements to look for and look at.  In the process of this discovery, I gain a more connected or engaged form of understanding.
• I find it fun to discover the background of these buildings.  It's like a kind of treasure hunt:  find the building, figure out who built it, try to find out who lived there, work out what style it is, decide whether it's a good or excellent or terrible example of this particular form of architecture.  (For those who take gaming seriously, I'll just say it's like a never-ending video game, where I am constantly discovering new parts of the game space.  If that doesn't make any sense to you, please ignore.) 
• And it seems like somehow this will come together into something interesting and meaningful, maybe the book I am trying to write?

#BathoryUtca #Budapest #Architecture #GylaIlles #EmilVidor #Samuel ReveszandJozsef Kollar #Apar Ignac #ArturMeinig  #GezaAladarKarma&GyulaUllmann