The Werkele Estate

A few days ago, we took the metro out into the hinterlands of Budapest to visit the Werkele Housing Estate,  This was meant to be a self-contained garden city big enough to hold 20,000 people but still retaining a village-like rural atmosphere.  It was the brain child of Karoly Koss (1883-1977) who came from that part of Transylvania that was then Hungary (now Romania--actually Temesvar or Timisoara where Tony and I did Fulbrights).  Like Lechner, he wanted a "national style," but instead of looking to the far East, he turned to Transylvanian villages, which were, he thought, the closest to what Hungary actually began as.  Medieval gables, peasant designs, folk art: full scale revivial for the middle class,

Now, of course, these houses, with their large gardens, are highly sought after and well beyond the ordinary person's price-range.

They are also much nicer--larger, better kept--than the original village buildings we saw in Romania.  Another utopian vision that escaped its builders' intentions.

#WerkeleEstate
#Budapest
#KarolyKoss

The Perfect Art Nouveau House (Or, a cure for feeling discombobulated in Budapest)

We arrived over a week ago, but when we got here we were pretty discombobulated: the product of all the stress of buying a condo, fixing our house, living with workers, trying to pack, plus jet lag and general fatigue.  As a remedy we went on a walk on Varosligeti Fasor, which is a small street where very rich people built summer villas.  This one by Kalman Karossy is one of my favorites.  Indeed, it ticks al the boxes for the perfect Art Nouveau Villa.

It is highly decorated but nonetheless restrained.

It has a peacock, the ultimate Art Nouveau symbol.

It has a beautiful gate.

And Korossy built it for himself, a fact he acknowledges in the top of the facade.

It reminds me of why I love the architecture of this city so much, and how it lives up to repeated views.

#Budapest
#VarosligetiFasor
#KalmanKorossy
#ILoveBudapest